Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “The Pool” Grips the Audience and Engages Them in High Stakes and Effective Thrills July 21, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Lake of Death” Displays a Visually Promising Premise, Only to Mix and Confuse with Repetitive Horror Conventions July 20, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of Tune July 16, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Let the Sun Set on “The Sunlit Night,” Please! July 16, 2020
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Useless Humans” Falls Short of Being a Potentially Original Sci-fi Comedy July 14, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Father Soldier Son” Overwhelms with the Power of Its Story July 13, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: “Relic” Is a Disturbing, Depressing Metaphorical Horror Film That Tackles Dementia and Hits Us Where It Hurts July 9, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: The Short Documentary “The Claudia Kishi Club” Is the Perfect Companion Piece to “The Baby-Sitters Club” July 9, 2020
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “The Old Guard” Mostly Delivers on Its Promising Premise July 9, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Beach House” Makes for an Excellent Directorial Debut, with a Unique, Chilling Take on the Horror Genre July 8, 2020
Featured Specialty Film Reviews Patrick Howard Spotlight Film Review: The Sincerity and Weirdness of “Mucho Mucho Amor: The Legend of Walter Mercado” Is What the World Needs Now July 7, 2020