Breaking Christopher Llewellyn Reed Film Reviews Film Review: “The Lighthouse” Shines Brightly into a Narrative Void October 18, 2019
Breaking Film Reviews Patrick Howard Film Review: Maleficent Boasts More Confidence in her Messy but Engaging Sequel, “Maleficent: Mistress of Evil” October 17, 2019
Christopher Llewellyn Reed Featured Specialty Film Reviews Film Review: “#FemalePleasure” Conquers Male Supremacy October 13, 2019
Breaking Film Reviews Patrick Howard Film Review: Will Smith Fights His Doppelgänger and a Hackneyed Script in “Gemini Man” October 11, 2019
Christopher Llewellyn Reed Film Reviews Specialty Releases Film Review: “Pain and Glory” Offers Neither, But Still Diverts October 10, 2019
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Lucy in the Sky” Is a Narrative Black Hole October 10, 2019
Breaking Film Reviews Matt Patti Film Review: “The Addams Family” Snaps Its Way into Our Hearts October 10, 2019
Christopher Llewellyn Reed Featured Specialty Film Reviews Film Review: In “Dolemite Is My Name,” Eddie Murphy’s Got Game October 10, 2019
Featured Specialty Film Reviews Matt Patti Film Review: “Low Tide” Is a Nostalgic Hidden-Treasure Thriller October 9, 2019
Christopher Llewellyn Reed Film Reviews Specialty Releases Film Review: Intriguing “Monos” Makes Monsters Out of Children October 9, 2019
Christopher Llewellyn Reed Film Reviews Specialty Releases Film Review: Magical “Tigers Are Not Afraid” Explores Horrors of Mexican Drug Wars October 8, 2019