Featured Featured Specialty Film Reviews Jeremy Taylor Spotlight Film Review: 2022 Oscar-Nominated Live Action Shorts March 25, 2022
Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight MoMI First Look Review: “Babi Yar. Context” and “Mr. Landsbergis” Are Archival Masterworks March 24, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: In “Seriously Red,” Dolly Parton Is the Way Forward March 22, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: See What Marvels Kids Can Make in “More Than Robots” March 18, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: In “Slash/Back,” Inuit Girls Rule March 16, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: “The Prank” Is Quite the Cool Stunt March 15, 2022
Featured Specialty Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “The Shepherdess and the Seven Songs” Is a Gorgeous Fable with Little Beneath the Surface March 15, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: Finely Crafted “I Love My Dad” Is Almost Too Much March 14, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Interviews Spotlight SXSW SXSW 2022 Is Live: Interview with “Long Line of Ladies” Directors Rayka Zehtabchi and Shaandiin Tome March 10, 2022
Featured Specialty Film Reviews Robin C. Farrell Spotlight Film Review: “I’ll Find You” Tells a Deceptively New Tale February 24, 2022
Featured Specialty Film Reviews Robin C. Farrell Spotlight Film Review: “Let Me Be Me” Is a Deeply Moving Family Love Story February 17, 2022
