Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “Bad Girl Boogey” Can’t Quite Find Its Groove July 3, 2023
Festivals FFT Festival Coverage Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “Scooby-Doo” meets “Big Mouth” in New animated Feature “The Weird Kidz” June 13, 2023
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Occasionally Engaging “Simulant” Simulates Better Films June 2, 2023
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Wolf Garden” Has Promise but Overuses Conventions February 26, 2023
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “The Ghosts of Monday” Leaves the Audience with the Monday Blues January 22, 2023
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: In Urgent “No Time to Fail,” Democracy Is at Stake October 26, 2022
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: In “Zerograd,” a Nation Collapses, And What Fun It Is October 25, 2022
Breaking Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “V/H/S/99” Playfully Pays Homage to Y2K Horror with Modest Success October 20, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “The Wild Man,” Just Like Florida, Is a Mixed Bag October 6, 2022
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “Hellraiser” Barely Raises Cinematic Hell October 6, 2022
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Mr. Harrigan’s Phone” Entertains, Even if it Doesn’t Surprise October 4, 2022
