Film Festival Today - The Business of Film and Entertainment

Film Review: “The Last Deal” Starts Strong but Goes Amiss

February 6, 2023

Film Review: Impressive Third Act Lifts “They Wait in the Dark”

February 6, 2023

Sundance Review: The All-Too-Real Comedy of “You Hurt My Feelings” Is Genius

February 6, 2023

Film Review: Great Performance Can’t Quite Save “Knock at the Cabin”

February 2, 2023

Sundance Review: “Fancy Dance” Swings a Moving Dramatic Thriller

February 2, 2023

Sundance Interview with “Jamojaya” Director Justin Chon

February 1, 2023

Sundance Review: “Animalia” Explores Unsettling Beauty

January 31, 2023

Sundance Review: “Infinity Pool” Playfully Wades Through Perversion

January 30, 2023

Film Review: While Informative and Moving, “Pamela: A Love Story” Is Also Self-Limiting

January 30, 2023

Sundance Review: Gentle “Blueback” Is a Call to Environmental Arms

January 29, 2023

Sundance Interview with “Jamojaya” Director Justin Chon

February 1, 2023

Sundance Review: “Animalia” Explores Unsettling Beauty

January 31, 2023

Sundance Review: “Infinity Pool” Playfully Wades Through Perversion

January 30, 2023

Film Review: While Informative and Moving, “Pamela: A Love Story” Is Also Self-Limiting

January 30, 2023

Sundance Review: Gentle “Blueback” Is a Call to Environmental Arms

January 29, 2023

Sundance Review: Mockumentary “Theater Camp” Is Hilarious and Heartfelt

January 29, 2023

Four Documentaries from Slamdance 2023

January 28, 2023

Sundance Review: “Fair Play” Is an Uncomfortable but Gripping Take on Gender and Careerism

January 28, 2023

Sundance Review: “In My Mother’s Skin” Is Bloody Real

January 26, 2023

Sundance Review: “Little Richard: I Am Everything” Showcases the True Architect of Rock & Roll

January 25, 2023

Sundance Review: The All-Too-Real Comedy of “You Hurt My Feelings” Is Genius
By Hannah Tran
February 6, 2023
You Hurt My Feelings (Nicole Holofcener, 2023) 3½ out of 4 stars. If ever there was a movie premise created to start an argument between romantic partners, it might be that of Nicole Holofcener’s latest film, You Hurt My Feelings, which asks the question of whether you can love someone if you don’t love the work they create. What is a totally trivial matter, in the grand scheme of things, is here turned into a life-shattering revelation for main ... >>
Sundance Review: “Fancy Dance” Swings a Moving Dramatic Thriller
By Christopher Llewellyn Reed
February 2, 2023
Fancy Dance (Erica Tremblay, 2023) 3 out of 4 stars. Jax is probably not most people’s idea of an ideal role model. An ex-con who served time for drug dealing, she makes ends meet on the Seneca-Cayuga Reservation in Oklahoma through some not-so-petty theft (such as stealing a vehicle), often accompanied by her teenage niece, Roki. Still, that’s just one way of looking at things. One could also see her as resourceful and, as far as Roki goes, ... >>
Sundance Review: “Animalia” Explores Unsettling Beauty
By Christopher Llewellyn Reed
January 31, 2023
Animalia (Sofia Alaoui, 2023) 3 out of 4 stars. Director Sofia Alaoui’s debut feature, Animalia, is often a deliriously enigmatic work of art, weaving in and out of direct confrontations with meaning in ways both tantalizing and frustrating. Buoyed by a gripping central performance from actress Oumaïma Barid, the movie places her character, Itto, in dire circumstances when she is at her most vulnerable, pregnant and alone. Layering ... >>
Sundance Review: “Infinity Pool” Playfully Wades Through Perversion
By Hannah Tran
January 30, 2023
Infinity Pool (Brandon Cronenberg, 2023) 3 out of 4 stars. I had the great displeasure of seeing Brandon Cronenberg’s previous film, Possessor, at 2020’s Sundance Film Festival. It’s not that I disliked the story about an assassin who invades others’ bodies from afar to fulfill her kills; I simply couldn’t stomach the gore-fest as it unraveled onscreen, which I’m sure was the intention. Returning to Sundance with his NC-17 cut of his latest ... >>
Sundance Review: Gentle “Blueback” Is a Call to Environmental Arms
By Christopher Llewellyn Reed
January 29, 2023
Blueback (Robert Connolly, 2022) 3 out of 4 stars. Based on Australian author Tim Winton’s 1997 novella of the same name, the new film Blueback, from writer/director Robert Connolly (The Dry), offers a gentle, occasionally thrilling, paean to nature conservation that is now more needed than ever. We jump back and forth between the present and the past as Abby (changed from a boy named Able in the book) remembers the events of her childhood that ... >>

Film Review: “The Last Deal” Starts Strong but Goes Amiss
In >> Adam Vaughn, Breaking, Film Reviews, Spotlight
Film Review: Impressive Third Act Lifts “They Wait in the Dark”
In >> Breaking, Film Reviews, Matt Patti, Spotlight
Film Review: Great Performance Can’t Quite Save “Knock at the Cabin”
In >> Breaking, Christopher Llewellyn Reed, Film Reviews, Spotlight
Film Review: While Informative and Moving, “Pamela: A Love Story” Is Also Self-Limiting
In >> Adam Vaughn, Breaking, Film Reviews, Spotlight

Four Documentaries from Slamdance 2023
January 28, 2023
The 2023 Slamdance Film Festival began on Friday, ...>>
10 Films to Watch at Sundance 2023
January 18, 2023
The 2023 Sundance Film Festival offers over 100 ...>>
Middleburg Film Festival Celebrates Its 10th Year! Here Are Five Films to See
October 12, 2022
The annual Middleburg Film Festival returns for its ...>>
In Memoriam Rob Goald (1948-2022)
September 25, 2022
Film Festival Today’s beloved Senior Editor Rob Goald ...>>
Christopher Llewellyn Reed’s TIFF 2022 Wrap-Up
September 25, 2022
The Toronto International Film Festival (or TIFF) ...>>