Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageSeriesSpotlightSXSW SXSW Review: Episodes 1 and 2 of “Them” Show PromiseMarch 24, 2021
Featured SpecialtyFestivalsFFT Festival CoverageMatt PattiSeriesSpotlightSXSW SXSW Review: “Sasquatch” Is a Monster-Hunt Docuseries That Showcases the Intriguing, but Sometimes Frustrating, Aspects of Investigative JournalismMarch 24, 2021
Adam VaughnFeatured SpecialtySeriesSpotlight Series Review: An Extraordinary View into the World of Video Games, “Playing with Power: The Nintendo Story” Excels in All WaysFebruary 28, 2021
BreakingChristopher Llewellyn ReedSeriesSpotlight Series Review: Though “Night Stalker: The Hunt for a Serial Killer” Is Too Long, It Still Ultimately Bags Its PreyJanuary 12, 2021
Adam VaughnBreakingSeriesSpotlight Series Review: Hulu’s New Series “Eater’s Guide to the World” Is Limited For Now, But Is Filled with Culturally Sound Content and Delicious FoodNovember 10, 2020
BreakingChristopher Llewellyn ReedSeriesSpotlight Series Review: “Emily in Paris” Offers a Frothy, if Lightweight, Confection for All to SavorOctober 1, 2020
BreakingChristopher Llewellyn ReedSeriesSpotlight Series Review: “Julie and the Phantoms” Makes Magic out of Narrative MadnessSeptember 9, 2020
FeaturedInterviewsMelanie AddingtonSpotlight Interview with “Expecting Amy” Director Alexander HammerJuly 21, 2020
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpecialty ReleasesSpotlight Film Review: The Short Documentary “The Claudia Kishi Club” Is the Perfect Companion Piece to “The Baby-Sitters Club”July 9, 2020
BreakingChristopher Llewellyn ReedSeriesSpecialty ReleasesSpotlight Series Review: In “The Baby-Sitters Club,” Vibrant Young Women Grow UpJuly 2, 2020
