BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “Rebecca” Offers Visually Rich, Dramatically Poor LandscapeOctober 21, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Chop Chop” Is a Rustic, Poorly Executed Presentation of an Otherwise Interesting ConceptOctober 19, 2020
BreakingFilm ReviewsPatrick HowardSpotlight Film Review: Walton Goggins Channels Absolute Mysticism and Buffoonery in “John Bronco”October 16, 2020
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Honest Thief” Is a Fun Ride with an Overly Familiar DestinationOctober 15, 2020
BreakingChristopher Llewellyn ReedSeriesSpotlight Series Review: “Social Distance” Draws Us Closer with Each EpisodeOctober 14, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “The Mortuary Collection” Reestablishes the Horror Anthology Archetype with a Fun and Creepy ToneOctober 14, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “The Complex: Lockdown” Deviates from its Interactive Video Game Roots and Suffers the ConsequencesOctober 13, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “The Forty-Year-Old Version” May Be Long of Tooth, but Still Bites HardOctober 9, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “The Cleansing Hour” Is a Supernatural Thrill Ride that Grabs the Audience and Refuses to Let GoOctober 8, 2020
BreakingFilm ReviewsMelanie AddingtonSpotlight Film Review: “The Glorias” Often Ms. the MarkOctober 2, 2020
BreakingChristopher Llewellyn ReedSeriesSpotlight Series Review: “Emily in Paris” Offers a Frothy, if Lightweight, Confection for All to SavorOctober 1, 2020
