Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “I Am Woman” May Not Quite Roar, but Still Mostly Gives Helen Reddy Her Due September 11, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: While “Buoyancy” Eventually Becomes Routine, It Still Brings the Viewer on a Tense Adventure September 10, 2020
Breaking Festivals Melanie Addington Spotlight Toronto International Film Festival TIFF 2020 Virtual and (Sort Of) Canada-Only Schedule September 10, 2020
Breaking Christopher Llewellyn Reed Series Spotlight Series Review: “Julie and the Phantoms” Makes Magic out of Narrative Madness September 9, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Babysitter: Killer Queen” Redelivers Comedy, Action and Gore of its Predecessor, but with Less Originality and More Ridiculousness September 9, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Social Dilemma” Illustrates a Problem in Need of a Solution September 9, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Mulan” Triumphs Over Unnecessary Adaptation September 3, 2020
Breaking Christopher Llewellyn Reed Series Spotlight Series Review: “Away” Remains Too Grounded in Earthly Problems September 3, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: Though Wacky and Uneven, “The Owners” Features Compelling Tension and Noteworthy Performances September 3, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: “The Pale Door” Is a Conventional, but Still Entertaining, Western Horror Flick September 1, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Bill & Ted Face the Music” Could Have Been Worse August 27, 2020
