BreakingFilm ReviewsRobin C. FarrellSpotlight Film Review: “Everybody’s Talking About Jamie” Positively ShinesSeptember 17, 2021
Christopher Llewellyn ReedFeatured SpecialtyInterviewsSpotlight Interview with “Ma Belle, My Beauty” Director Marion HillAugust 23, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: “Ma Belle, My Beauty” Offers Dramedy with an Alluring French TwistAugust 18, 2021
AFI DOCSChristopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlight AFI DOCS Review: “Pray Away” Examines the Dangerous Consequences of Conversion TherapyJuly 7, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpecialty ReleasesSpotlight Film Review: In “When I’m Her,” A Child Prodigy HealsJune 21, 2021
Adam VaughnFeatured SpecialtyFFT Festival CoverageFilm ReviewsSpotlightTribeca Tribeca Review: “No Straight Lines: The Rise of Queer Comics” Strives to Achieve Uplifting and Personal RepresentationJune 17, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: “Tove” Paints a Vibrant Portrait of Its Subject, Even If Some Details Are ObscuredJune 2, 2021
Featured SpecialtyFestivalsFilm ReviewsRobin C. FarrellSpotlight OUTshine LGBTQ Film Festival Review: “My Fiona” Delivers an Earnest and Mindful Depiction of Grief and LossApril 27, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Bullied” Approaches Its Topic from Many Interesting Angles, Even at the Slight Risk of RepetitionFebruary 11, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: In “Two of Us,” You Can’t Keep Lovers ApartFebruary 5, 2021
