Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: In “Nothing Compares,” Sinéad O’Connor Is Agitator, Activist and Seed January 22, 2022
Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Films to Watch (Once Again Virtually) at Sundance 2022 January 19, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Our Take on Sundance 2021 February 7, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: With “Street Gang,” We Finally Learn How We Got to Sesame Street February 4, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: “Summer of Soul” Was More Than the Black Woodstock February 2, 2021
Christopher Llewellyn Reed Featured Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Films to Watch (Virtually) at Sundance 2021 January 25, 2021
Breaking Film Reviews Melanie Addington Spotlight Film Review: “The Glorias” Often Ms. the Mark October 2, 2020
Christopher Llewellyn Reed Festivals FFT Festival Coverage Melanie Addington Spotlight Toronto International Film Festival Melanie Addington and Christopher Llewellyn Reed’s Takes on TIFF 2020 September 20, 2020
Breaking Festivals Melanie Addington Spotlight Toronto International Film Festival TIFF 2020 Virtual and (Sort Of) Canada-Only Schedule September 10, 2020
Featured Interviews Melanie Addington Spotlight Interview with “Expecting Amy” Director Alexander Hammer July 21, 2020
Featured FFT Festival Coverage Melanie Addington Spotlight Film Festivals in the Age of COVID-19: The Big Pivot June 12, 2020