BreakingFilm ReviewsHannah TranSpotlight Film Review: “Herself” Features a Strong Lead Performance but Weak Storytelling AbilitiesJanuary 7, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: In “Pieces of a Woman,” Much Less Would Be MoreJanuary 6, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “Happiest Season” Falters but Still Delivers Holiday CheerNovember 24, 2020
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: “S#!%house” Offers Sweet College DramedyOctober 15, 2020
BreakingChristopher Llewellyn ReedSeriesSpotlight Series Review: “Julie and the Phantoms” Makes Magic out of Narrative MadnessSeptember 9, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “The Shadow of Violence” Provides Solid Crime Story, Though One That May Not Stand the Test of TimeJuly 30, 2020
BreakingFilm ReviewsMatt PattiSpotlight Film Review: “Relic” Is a Disturbing, Depressing Metaphorical Horror Film That Tackles Dementia and Hits Us Where It HurtsJuly 9, 2020
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Hammer” Finds the Power of Parenthood Amid Its Tense ForegroundJune 4, 2020
BreakingFilm ReviewsMatt PattiSpotlight Film Review: Great Performances and Moral Dilemmas Save the Often Predictable “Inheritance”May 21, 2020
Christopher Llewellyn ReedFilm ReviewsSpecialty Releases Film Review: Stylish “Galveston” Is a Heartless Place to LingerOctober 17, 2018
