Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Open Your Eyes” Tries Too Hard to Confuse and Complex the ViewerMay 31, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: “Together Together” Offers a Moving Study of LonelinessApril 23, 2021
BreakingFilm ReviewsMatt PattiSpotlight Film Review: “The Voices” Is Effective as Drama, but Not As HorrorMarch 31, 2021
Adam VaughnFestivalsFFT Festival CoverageFilm ReviewsSpotlight Cinequest Review: “Echoes of Violence” Is Simple but Effective in Its Delivery of Cinematic StorytellingMarch 30, 2021
Featured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsMatt PattiSpotlightSXSW SXSW Review: Covid-19 Centered Drama “The End of Us” Tells a Compelling, Engaging Story About Two Exes Forced to Live Together in QuarantineMarch 21, 2021
Featured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsMatt PattiSpotlightSXSW SXSW Review: “Here Before” Explores the Unnerving, Volatile Obsession of a Mother Who has Lost a ChildMarch 18, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: “Test Pattern” Offers a Nuanced Examination of a Sexual Assault’s AftermathFebruary 18, 2021
Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageSpotlightSundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound HealingFebruary 11, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: In “Two of Us,” You Can’t Keep Lovers ApartFebruary 5, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: Australian “Rams” Mostly Does Icelandic Original ProudFebruary 5, 2021
