Adam Vaughn Festivals FFT Festival Coverage Film Reviews Spotlight Cinequest Review: “Echoes of Violence” Is Simple but Effective in Its Delivery of Cinematic Storytelling March 30, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Matt Patti Spotlight SXSW SXSW Review: Covid-19 Centered Drama “The End of Us” Tells a Compelling, Engaging Story About Two Exes Forced to Live Together in Quarantine March 21, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Matt Patti Spotlight SXSW SXSW Review: “Here Before” Explores the Unnerving, Volatile Obsession of a Mother Who has Lost a Child March 18, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Test Pattern” Offers a Nuanced Examination of a Sexual Assault’s Aftermath February 18, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight Sundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound Healing February 11, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: In “Two of Us,” You Can’t Keep Lovers Apart February 5, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Australian “Rams” Mostly Does Icelandic Original Proud February 5, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Herself” Features a Strong Lead Performance but Weak Storytelling Abilities January 7, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In “Pieces of a Woman,” Much Less Would Be More January 6, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Happiest Season” Falters but Still Delivers Holiday Cheer November 24, 2020