BreakingFilm ReviewsMatt PattiSpotlight Film Review: “Leap of Faith: William Friedkin on The Exorcist” Shines an Honest, Detailed Light on the Iconic Horror FilmNovember 18, 2020
Adam VaughnFilm ReviewsSpecialty ReleasesSpotlight Film Review: “Habitual,” While Psychedelic in Concept, Is Lackluster in ExecutionNovember 12, 2020
BreakingFilm ReviewsMatt PattiSpotlight Film Review: Wendigo Creature-Feature “The Retreat” Underutilizes and Overcomplicates the Legendary EntityNovember 10, 2020
Featured SpecialtyFilm ReviewsMatt PattiSpotlight Film Review: “Triggered” Takes a Shot at an Inventive Concept and Hits the MarkNovember 5, 2020
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Koko-Di Koko-Da“ Turns the Grieving Process into a Twee and Taxing TerrorNovember 5, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: Intriguing Setup of “Come Play” Quickly FaltersOctober 30, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: In Vivid “His House,” the Ghosts Are RealOctober 29, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “May the Devil Take You Too” Is a Horror Sequel That Matches Its Predecessor in Terror and Tops It in SenselessnessOctober 28, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: Scary Yet Formulaic, “32 Malasana Street” Weaves a Suspenseful Yet Unsurprising Horror TaleOctober 21, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Chop Chop” Is a Rustic, Poorly Executed Presentation of an Otherwise Interesting ConceptOctober 19, 2020
