Christopher Llewellyn ReedFeaturedFeatured SpecialtyFestivalsFFT Festival CoverageMatt PattiSpotlightSXSW SXSW 2021 RecapMarch 26, 2021
Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageSeriesSpotlightSXSW SXSW Review: Episodes 1 and 2 of “Them” Show PromiseMarch 24, 2021
Featured SpecialtyFestivalsFFT Festival CoverageMatt PattiSeriesSpotlightSXSW SXSW Review: “Sasquatch” Is a Monster-Hunt Docuseries That Showcases the Intriguing, but Sometimes Frustrating, Aspects of Investigative JournalismMarch 24, 2021
Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightSXSW SXSW Review: “United States vs. Reality Winner” Makes the Case for WhistleblowersMarch 23, 2021
Featured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsMatt PattiSpotlightSXSW SXSW Review: “The Oxy Kingpins” Reveals the True Villains of the Opioid CrisisMarch 23, 2021
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Featured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsMatt PattiSpotlightSXSW SXSW Review: “R#J” Is a Fresh Take on the Classic “Romeo and Juliet” Tragedy, Told Through Modern TechnologyMarch 22, 2021
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Featured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsMatt PattiSpotlightSXSW SXSW Review: “Demi Lovato: Dancing with the Devil” Is an Intimate, Revealing Venture into the Pop Star’s Personal Life and her Struggles with AddictionMarch 22, 2021
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Featured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsMatt PattiSpotlightSXSW SXSW Review: Covid-19 Centered Drama “The End of Us” Tells a Compelling, Engaging Story About Two Exes Forced to Live Together in QuarantineMarch 21, 2021