Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Rising Wolf” May Have Cool Concepts, but You’d Never Know Under All the MessAugust 4, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpecialty ReleasesSpotlight Film Review: Despite Censorship and Propaganda, Afghan Filmmakers Shine in “What We Left Unfinished”August 2, 2021
BreakingFilm ReviewsHeidi SheplerSpotlight Film Review: “The Last Mercenary” Strikes a Delightful Balance Between Action and ComedyJuly 30, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpecialty ReleasesSpotlight Film Review: The Siren Song of “Lorelei” Mostly EnchantsJuly 29, 2021
Featured SpecialtyFilm ReviewsMatt PattiSpecialty ReleasesSpotlight Film Review: In Horror Anthology “Lilith,” Looks are DeceivingJuly 29, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpecialty ReleasesSpotlight Film Review: In Often Gripping “The Evening Hour,” Less Is More, Until It Isn’tJuly 29, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “The Boy Behind the Door” Initially Strikes Gold, but Loses Momentum by the EndJuly 28, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: M. Night Shyamalan’s “Old” Takes a Clever Concept and Creates a Bit of a MessJuly 22, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “The Last Letter from Your Lover” Would Be Better Left UnsentJuly 22, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: In an Otherwise Generic Story, the Protagonist of “Blood Red Sky” ShinesJuly 22, 2021
Adam VaughnFeatured SpecialtyInterviewsSpotlightStories Interview with “Great White” Director Martin WilsonJuly 22, 2021
