Christopher Llewellyn ReedFeatured SpecialtyFFT Festival CoverageFilm ReviewsSpotlightTribeca Tribeca Review: “a-ha: the Movie” Is a Delight for Casual and Diehard Fans AlikeJune 15, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “An Unknown Compelling Force” Isn’t Ever As Compelling As Its SubjectJune 14, 2021
Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightTribeca Tribeca Review: “Mark, Mary & Some Other People” Get It On, Get Off and Get LostJune 10, 2021
BreakingFilm ReviewsMatt PattiSpotlight Film Review: “Queen of Spades” Thrills with Its Horror Aspects, but Has No Other Tricks up Its SleeveJune 10, 2021
Featured SpecialtyFilm ReviewsRobin C. FarrellSpotlight Film Review: The Young Cast of “Skater Girl” Shines Despite a Disjointed ScriptJune 10, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “In the Heights” Rocks the ScreenJune 9, 2021
Adam VaughnChristopher Llewellyn ReedFeaturedFeatured SpecialtyFestivalsFFT Festival CoverageSpotlightTribeca What to See at Tribeca 2021June 7, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: Despite Predictable Silliness, “Spirit Untamed” Shines in Its Portrait of Strong Young WomenJune 3, 2021
BreakingFilm ReviewsMatt PattiSpotlight Film Review: In “The Conjuring: The Devil Made Me Do It,” the Warrens Shine as a Lone Bright Light Amidst Dull Horror ElementsJune 3, 2021
BreakingFilm ReviewsRobin C. FarrellSpotlight Film Review: “Grace and Grit” Aims for Transcendence but Critically MisfiresJune 3, 2021
