BreakingFilm ReviewsMatt PattiSpotlight Film Review: “The Voices” Is Effective as Drama, but Not As HorrorMarch 31, 2021
Adam VaughnFestivalsFFT Festival CoverageFilm ReviewsSpotlight Cinequest Review: “Echoes of Violence” Is Simple but Effective in Its Delivery of Cinematic StorytellingMarch 30, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: In “Godzilla vs. Kong,” the Monsters RuleMarch 30, 2021
Adam VaughnFestivalsFFT Festival CoverageFilm ReviewsSpotlight Cinequest Review: While “Drive All Night” Offers Interesting Character Archetypes, Everything Else Falls ShortMarch 30, 2021
Featured SpecialtyInterviewsMatt PattiSpotlight Interview with “Phobias” Star Leonardo NamMarch 29, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “Tina” Perfectly Celebrates Its Brilliant StarMarch 27, 2021
Christopher Llewellyn ReedFeaturedFeatured SpecialtyFestivalsFFT Festival CoverageMatt PattiSpotlightSXSW SXSW 2021 RecapMarch 26, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “The Father” Offers Style Without Much SubstanceMarch 26, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: Saul Goodman Does John Wick in Derivative “Nobody”March 26, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: While “Six Minutes to Midnight” Offers Tremendous Tension and Drama, the Cookie-Cutter Style Bleeds ThroughMarch 25, 2021
BreakingFilm ReviewsRobin C. FarrellSpotlight Film Review: “Shoplifters of the World” Offers a Specific, Yet Universal, Viewing ExperienceMarch 25, 2021