Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageSpotlightSundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound HealingFebruary 11, 2021
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Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageInterviewsSpotlightSundance Sundance Interview with “Eight for Silver” Director Sean EllisFebruary 8, 2021
Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightSundance Sundance Review: “Eight for Silver” Doesn’t Quite Make Cinematic Gold, but Still Offers Some Fine TreasuresFebruary 7, 2021
Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageSpotlightSundance Our Take on Sundance 2021February 7, 2021
Featured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsMelanie AddingtonSpotlightSundance Sundance Review: With “Street Gang,” We Finally Learn How We Got to Sesame StreetFebruary 4, 2021
FestivalsFFT Festival CoverageHannah TranInterviewsSpotlightSundance Sundance Interview with Sam Levy, Cinematographer of “Mayday”February 4, 2021
Featured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsMelanie AddingtonSpotlightSundance Sundance Review: “Summer of Soul” Was More Than the Black WoodstockFebruary 2, 2021
Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightSundance Sundance Review: “Judas and the Black Messiah” Offers Powerful History LessonFebruary 2, 2021
Featured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsHannah TranSpotlightSundance Sundance Review: “In the Same Breath” Expertly Dismantles the Notion of National ExceptionalismFebruary 2, 2021
