Christopher Llewellyn ReedFeaturedFestivalsFFT Festival CoverageHannah TranMelanie AddingtonSpotlightSundance Films to Watch (Virtually) at Sundance 2021January 25, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Herself” Features a Strong Lead Performance but Weak Storytelling AbilitiesJanuary 7, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: Equally Funny and Devastating, “Promising Young Woman” Is One of the Most Exciting Movies of This EraDecember 18, 2020
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: In “My Prince Edward,” an Apt Interrogation of Freedom Goes Beyond the Confines of MarriageDecember 15, 2020
BreakingFilm ReviewsHannah TranSpotlight Film Review: If Only “The Prom” Were As Sweet as It Is ShallowDecember 7, 2020
BreakingFilm ReviewsHannah TranSpotlight Film Review: “All My Life” Is a Lifeless Look Into a Real-Life Love StoryDecember 4, 2020
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Wander” Gets Lost in Its Own StoryDecember 3, 2020
BreakingFilm ReviewsHannah TranSpotlight Film Review: Chad Faust’s “Girl” Fumbles an Enticing Premise with Uninspired DeliveryNovember 19, 2020
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Le choc du futur” Is a Fun, If Forgettable, Dive into the World of Early Electronic MusicNovember 10, 2020
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Koko-Di Koko-Da“ Turns the Grieving Process into a Twee and Taxing TerrorNovember 5, 2020