BreakingFilm ReviewsHannah TranSpotlight Film Review: “An Unknown Compelling Force” Isn’t Ever As Compelling As Its SubjectJune 14, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Wrath of Man” Is Best At Its Most BrutalMay 6, 2021
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Beast Beast” Examines the Teenage Experience with Fresh EyesApril 15, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Monday” Is a Near-Charmless Glimpse into a Charming SummerApril 15, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Own the Room” Is an Inspirational Story with a Weak ApproachMarch 11, 2021
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “My Beautiful Stutter” Is Cinematically Unremarkable, but Socially VitalMarch 10, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “To All the Boys I Loved Before: Always and Forever” Is a Worthy Sendoff to Some of Romcom’s Newest and Finest CharactersFebruary 12, 2021
Featured SpecialtyFestivalsFFT Festival CoverageHannah TranInterviewsSpotlightSundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion”February 10, 2021
FestivalsFFT Festival CoverageHannah TranInterviewsSpotlightSundance Sundance Interview with Sam Levy, Cinematographer of “Mayday”February 4, 2021
Featured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsHannah TranSpotlightSundance Sundance Review: “In the Same Breath” Expertly Dismantles the Notion of National ExceptionalismFebruary 2, 2021
Christopher Llewellyn ReedFeaturedFestivalsFFT Festival CoverageHannah TranMelanie AddingtonSpotlightSundance Films to Watch (Virtually) at Sundance 2021January 25, 2021
