Breaking Film Reviews Hannah Tran Spotlight Film Review: Exhilarating and Weighty, “Top Gun: Maverick” Is an Instant Classic May 26, 2022
Breaking Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: The Visual Splendor of “Montana Story” Fails to Compensate for Empty Interior May 24, 2022
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Hatching” Births a Fascinating Monster Within a Flawed Story April 28, 2022
Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: Fiery Chemistry in “Anaïs in Love” Nearly Makes up for Trite Story April 28, 2022
Breaking Hannah Tran Series Spotlight Series Review: “The Girl from Plainville” Turns Its Sensationalized Subject Matter into a Slog March 28, 2022
Featured Specialty Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “The Shepherdess and the Seven Songs” Is a Gorgeous Fable with Little Beneath the Surface March 15, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “Speak No Evil” Is Horror by Way of Haneke January 28, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: In “Watcher,” Maika Monroe Returns as Indie Scream Queen January 26, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “FRESH” Has a Stellar Cast, but its Social Commentary Only Cuts Skin-Deep January 24, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “Emergency” Is a High-Stress Comedy That Sufficiently Juggles Humor and Horror January 23, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “When You Finish Saving the World” Is a Sharp and Sweet Debut for Jesse Eisenberg January 21, 2022
