Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “She Dies Tomorrow” Is a Creative, Fresh, and Relevant Take on a Culture of FearAugust 5, 2020
BreakingFilm ReviewsHannah TranSpotlight Film Review: “The Secret Garden” Offers a Surprisingly Magical Look Into the Power of Nurturing OthersAugust 5, 2020
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Yes, God, Yes” Is an Acutely Personal Yet Exceedingly Relatable Tale of Religious GuiltJuly 23, 2020
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Radioactive” Fails to Engender Empathy for Its Central Figure or Excitement for Her Life-Altering WorkJuly 23, 2020
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Babyteeth” Brings Fresh, Frenetic Energy to a Tired GenreJune 18, 2020
Film ReviewsHannah TranSpecialty ReleasesSpotlight Film Review: “Exit Plan” Features a Great Performance Let Down by a Pseudo-Intellectual ScriptJune 11, 2020
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Hammer” Finds the Power of Parenthood Amid Its Tense ForegroundJune 4, 2020
Film ReviewsHannah TranSpecialty ReleasesSpotlight Film Review: “Ovid and the Art of Love” Has Little to Add to Either Art or LoveMay 18, 2020
Film ReviewsHannah TranSpecialty ReleasesSpotlight Film Review: “The Traitor” Struggles to Sustain a Balancing Act Between the Mafia and the StateMay 12, 2020
Film ReviewsHannah TranSpecialty ReleasesSpotlight Film Review: “Clementine” Raises Difficult Questions It Is Never Equipped to AnswerMay 8, 2020
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Driveways” Poignantly Explores Loneliness Through the Unlikeliest of ConnectionsMay 6, 2020
