Breaking Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: The Visual Splendor of “Montana Story” Fails to Compensate for Empty Interior May 24, 2022
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Hatching” Births a Fascinating Monster Within a Flawed Story April 28, 2022
Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: Fiery Chemistry in “Anaïs in Love” Nearly Makes up for Trite Story April 28, 2022
Breaking Hannah Tran Series Spotlight Series Review: “The Girl from Plainville” Turns Its Sensationalized Subject Matter into a Slog March 28, 2022
Featured Specialty Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “The Shepherdess and the Seven Songs” Is a Gorgeous Fable with Little Beneath the Surface March 15, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “Speak No Evil” Is Horror by Way of Haneke January 28, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: In “Watcher,” Maika Monroe Returns as Indie Scream Queen January 26, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “FRESH” Has a Stellar Cast, but its Social Commentary Only Cuts Skin-Deep January 24, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “Emergency” Is a High-Stress Comedy That Sufficiently Juggles Humor and Horror January 23, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “When You Finish Saving the World” Is a Sharp and Sweet Debut for Jesse Eisenberg January 21, 2022
Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Films to Watch (Once Again Virtually) at Sundance 2022 January 19, 2022
