BreakingFilm ReviewsRobin C. FarrellSpotlight Film Review: “Grace and Grit” Aims for Transcendence but Critically MisfiresJune 3, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: “Tove” Paints a Vibrant Portrait of Its Subject, Even If Some Details Are ObscuredJune 2, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Monday” Is a Near-Charmless Glimpse into a Charming SummerApril 15, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “All My Life” Is a Lifeless Look Into a Real-Life Love StoryDecember 4, 2020
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: “S#!%house” Offers Sweet College DramedyOctober 15, 2020
BreakingChristopher Llewellyn ReedSeriesSpotlight Series Review: “Emily in Paris” Offers a Frothy, if Lightweight, Confection for All to SavorOctober 1, 2020
Christopher Llewellyn ReedFilm ReviewsSpecialty ReleasesSpotlight Film Review: In “Matthias & Maxime,” the Journey Is the DestinationAugust 26, 2020
Christopher Llewellyn ReedFilm ReviewsSpecialty ReleasesSpotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of TuneJuly 16, 2020
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Babyteeth” Brings Fresh, Frenetic Energy to a Tired GenreJune 18, 2020
BreakingFilm ReviewsPatrick Howard Film Review: LaKeith Stanfield and Issa Rae Develop the Overly Subdued “The Photograph”February 14, 2020
