Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Middleburg Film Festival Spotlight Middleburg Review: I Choose to Stay for Marvelous “Decision to Leave” October 22, 2022
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “A Love Song” Delivers a Beautifully Sung Romance July 27, 2022
Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: “My Donkey, My Lover & I” Places Vexing Characters in a Delightful Landscape July 21, 2022
Featured Specialty Film Reviews Robin C. Farrell Spotlight Film Review: “Press Play” Delivers Heartbreak and Hope June 22, 2022
Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: Fiery Chemistry in “Anaïs in Love” Nearly Makes up for Trite Story April 28, 2022
Breaking Film Reviews Heidi Shepler Spotlight Film Review: The Blades of “All the Old Knives” Are Sharper Than You Think April 7, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Enjoyable (Enough) “The Lost City” Knows Its Place March 25, 2022
Featured Specialty Film Reviews Robin C. Farrell Spotlight Film Review: “I’ll Find You” Tells a Deceptively New Tale February 24, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Marry Me” Is a Trifle, but a Sweet One February 10, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “The Worst Person in the World” Is a Moving Ode to Self-Actualization February 3, 2022
