Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight Sundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound Healing February 11, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: In “Two of Us,” You Can’t Keep Lovers Apart February 5, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Australian “Rams” Mostly Does Icelandic Original Proud February 5, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Herself” Features a Strong Lead Performance but Weak Storytelling Abilities January 7, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In “Pieces of a Woman,” Much Less Would Be More January 6, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Happiest Season” Falters but Still Delivers Holiday Cheer November 24, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “S#!%house” Offers Sweet College Dramedy October 15, 2020
Breaking Christopher Llewellyn Reed Series Spotlight Series Review: “Julie and the Phantoms” Makes Magic out of Narrative Madness September 9, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Shadow of Violence” Provides Solid Crime Story, Though One That May Not Stand the Test of Time July 30, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: “Relic” Is a Disturbing, Depressing Metaphorical Horror Film That Tackles Dementia and Hits Us Where It Hurts July 9, 2020
