Adam VaughnFilm ReviewsSpecialty ReleasesSpotlight Film Review: “A Deadly Legend” May Pass As a Funny Student Film, but Is Littered with Flaws and Low-Quality Genre TropesJuly 23, 2020
Christopher Llewellyn ReedFilm ReviewsSpecialty ReleasesSpotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of TuneJuly 16, 2020
Christopher Llewellyn ReedFilm ReviewsSpecialty ReleasesSpotlight Film Review: Let the Sun Set on “The Sunlit Night,” Please!July 16, 2020
Adam VaughnBreakingFilm ReviewsSpecialty ReleasesSpotlight Film Review: “Useless Humans” Falls Short of Being a Potentially Original Sci-fi ComedyJuly 14, 2020
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpecialty ReleasesSpotlight Film Review: The Short Documentary “The Claudia Kishi Club” Is the Perfect Companion Piece to “The Baby-Sitters Club”July 9, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpecialty ReleasesSpotlight Film Review: “The Old Guard” Mostly Delivers on Its Promising PremiseJuly 9, 2020
Film ReviewsPatrick HowardSpecialty ReleasesSpotlight Film Review: “Elvis from Outer Space” Trolls the Audience with Zero CharmJuly 7, 2020
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpecialty ReleasesSpotlight Film Review: In “Family Romance, LLC,” Werner Herzog Once More Explores the Oddities of Human BehaviorJuly 3, 2020
BreakingChristopher Llewellyn ReedSeriesSpecialty ReleasesSpotlight Series Review: In “The Baby-Sitters Club,” Vibrant Young Women Grow UpJuly 2, 2020
Christopher Llewellyn ReedFilm ReviewsSpecialty ReleasesSpotlight Film Review: “Suzi Q” Profiles a Legend of Rock & RollJuly 1, 2020
BreakingFilm ReviewsMatt PattiSpecialty ReleasesSpotlight Film Review: Heart-Pounding Suspense and Genuine Scares Make “Followed” a Standout Found-Footage FilmJune 25, 2020
