Featured Interviews Melanie Addington Spotlight Interview with “Expecting Amy” Director Alexander Hammer July 21, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Lake of Death” Displays a Visually Promising Premise, Only to Mix and Confuse with Repetitive Horror Conventions July 20, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of Tune July 16, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Let the Sun Set on “The Sunlit Night,” Please! July 16, 2020
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Useless Humans” Falls Short of Being a Potentially Original Sci-fi Comedy July 14, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Father Soldier Son” Overwhelms with the Power of Its Story July 13, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: “Relic” Is a Disturbing, Depressing Metaphorical Horror Film That Tackles Dementia and Hits Us Where It Hurts July 9, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: The Short Documentary “The Claudia Kishi Club” Is the Perfect Companion Piece to “The Baby-Sitters Club” July 9, 2020
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “The Old Guard” Mostly Delivers on Its Promising Premise July 9, 2020
Adam Vaughn Featured Interviews Spotlight Interview with “The Beach House” Director Jeffrey A. Brown July 9, 2020
