Breaking Film Reviews Hannah Tran Spotlight Film Review: “Koko-Di Koko-Da“ Turns the Grieving Process into a Twee and Taxing Terror November 5, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Intriguing Setup of “Come Play” Quickly Falters October 30, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In Vivid “His House,” the Ghosts Are Real October 29, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The True Adventures of Wolfboy” Is an Emotional, Metaphorical and Intimate Coming-of-Age Story October 29, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “May the Devil Take You Too” Is a Horror Sequel That Matches Its Predecessor in Terror and Tops It in Senselessness October 28, 2020
Breaking Christopher Llewellyn Reed Series Spotlight Series Review: “The Queen’s Gambit” Delivers Passable Strategy, If Not Much More October 22, 2020
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Radium Girls” Has a Strong Message but Weak Direction October 22, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Borat Subsequent Moviefilm” Is a Mostly Glorious Sequel October 22, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: Scary Yet Formulaic, “32 Malasana Street” Weaves a Suspenseful Yet Unsurprising Horror Tale October 21, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “White Noise” Needs Fine-Tuning October 21, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Rebecca” Offers Visually Rich, Dramatically Poor Landscape October 21, 2020
