Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Shadow of Violence” Provides Solid Crime Story, Though One That May Not Stand the Test of Time July 30, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Rental” Steals Your Deposit July 23, 2020
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Radioactive” Fails to Engender Empathy for Its Central Figure or Excitement for Her Life-Altering Work July 23, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Most Wanted” Offers an Entertaining, if Flawed, Crazy Real-Life Tale July 23, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Lake of Death” Displays a Visually Promising Premise, Only to Mix and Confuse with Repetitive Horror Conventions July 20, 2020
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Useless Humans” Falls Short of Being a Potentially Original Sci-fi Comedy July 14, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: “Relic” Is a Disturbing, Depressing Metaphorical Horror Film That Tackles Dementia and Hits Us Where It Hurts July 9, 2020
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “The Old Guard” Mostly Delivers on Its Promising Premise July 9, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Beach House” Makes for an Excellent Directorial Debut, with a Unique, Chilling Take on the Horror Genre July 8, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Inmate #1: The Rise of Danny Trejo” Offers an Inspiring Redemption Tale July 7, 2020
Breaking Film Reviews Patrick Howard Spotlight Film Review: Impressive Action Mayhem Is on Display in “The Outpost” and Not Much Else July 3, 2020
