Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Mostly Effective “Disclosure” Examines Transgender Representation in Media June 18, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Bully. Coward. Victim. The Story of Roy Cohn” Tells the Story of Its Subject, Once Again June 17, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: In Moving “The Day After I’m Gone,” Words Matter June 17, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “7500” Initially Flies but Then Nosedives June 17, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The King of Staten Island” Is a Jester Without Wit June 11, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: When Not Overselling Its Polemic, “Da 5 Bloods” Magnificently Illuminates Our Tortured History of Racism June 11, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “You Don’t Nomi” Revisits “Showgirls” in All Its Lurid Glory June 8, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Judy & Punch” Gives the Classic Puppet Show a Proper Feminist Twist June 4, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: The Gothic Pleasures of “Shirley” Are Mixed June 4, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “End of Sentence” Offers a Mostly Moving Journey of Reconciliation May 29, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The High Note” Sings Its Predictable Tune Quite Well May 28, 2020
