Christopher Llewellyn Reed | Film Festival Today

What to (Virtually) See at the 2021 Maryland Film Festival

May 18, 2021

Film Review: In Deeply Flawed “Profile,” Screenlife Somewhat Holds Our Interest

May 13, 2021

Film Review: “Oxygen” May Be Limited, but Still Sustains Dramatic Life

May 11, 2021

Film Review: Good Intentions Notwithstanding, “Monster” Doesn’t Quite Succeed

May 7, 2021

Film Review: “Paper Spiders” Offers a Moving Study of Mental Illness

May 6, 2021

Film Review: In “The Mitchells vs. the Machines,” Family Wins

April 30, 2021

Film Review: In “Things Heard & Seen,” The Less Heard and Seen, the Better

April 28, 2021

Film Review: “Together Together” Offers a Moving Study of Loneliness

April 23, 2021

Film Review: Inventive Fight Choreography Cannot Save “Mortal Kombat” from a Weak Script

April 23, 2021

Film Review: The Faded Charms of “In the Earth” Still Offer Some Luster

April 19, 2021

Film Review: “Future People: The Family of Donor 5114″ Proves Metaphysically Profound

April 10, 2021

Middleburg Interview with “Left-Handed Girl” Director Shih-Ching Tsou
By Christopher Llewellyn Reed
October 30, 2025
Filmmaker Shih-Ching Tsou is a longtime collaborator of Sean Baker’s. In her first helming effort, the 2004 Take Out, she shared directorial duties with Baker. Since then, Tsou has produced many of his later films, including the 2021 Red Rocket. She and Baker co-wrote the screenplay for Left-Handed Girl, though Tsou is the sole director on it. The movie follows a family of three—mom, a teenage girl, and a much-younger daughter (a southpaw, hence ... >>
Middleburg Interview with “Hedda” Star Nina Hoss
By Christopher Llewellyn Reed
October 27, 2025
In the new film Hedda, from director Nia DaCosta (Candyman), German actress Nina Hoss (TÁR) plays Eileen Lovborg, former lover of the main character and now professional rival to that person’s new husband. An adaptation of Norwegian playwright Henrik Ibsen’s 1891 play Hedda Gabler, the movie switches Eileen’s original gender from male to female (he is “Eilert” in the source text), and also moves the action to 1950s England. These changes ... >>
Middleburg Interview with “Come See Me in the Good Light” Director Ryan White
By Christopher Llewellyn Reed
October 27, 2025
Documentarian Ryan White is nothing if not prolific, tackling a great variety of issues as he goes. In his latest movie, Come See Me in the Good Light, he profiles the late spoken-word poet Andrea Gibson (who was non-binary and used they/them pronouns), who died on July 14 of this year, fours years after receiving a diagnosis of ovarian cancer in 2021. Appointed the Poet Laureate of Colorado in 2023, Gibson was a star in their field. White ... >>
Interview with “Mistress Dispeller” Director Elizabeth Lo
By Christopher Llewellyn Reed
October 24, 2025
The documentary Mistress Dispeller premiered at the 2024 Venice Film Festival (I reviewed it out of Toronto) and is now finally, in 2025, coming out in theaters via Oscilloscope (released October 22 in New York and today, October 24, in Los Angeles). In the movie, Lo (Stray) examines the titular Chinese profession, where someone (usually a betrayed wife) hires an outside party to break up an extramarital dalliance, With remarkable access to her ... >>
Middleburg Review: “Come See Me in the Good Light”
By Christopher Llewellyn Reed
October 20, 2025
Come See Me in the Good Light (Ryan White, 2025) 4 out of 5 stars Spoken-word poet Andrea Gibson died on July 14 of this year, at the age of 49, of ovarian cancer, leaving behind their partner—fellow poet Megan Falley—a number of pets, and a formidable body of work. In Ryan White’s latest documentary, Come See Me in the Good Light, we follow Gibson’s pre- and post-diagnosis journey, learning details of their life and anticipating their eventual ... >>

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