Breaking Film Reviews Hannah Tran Spotlight Film Review: “To All the Boys I Loved Before: Always and Forever” Is a Worthy Sendoff to Some of Romcom’s Newest and Finest Characters February 12, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Power of “The Mauritanian” Is Undercut by Narrative Chaos February 12, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Happy Cleaners” Thoughtfully Explores the Korean-American Experience February 11, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Bullied” Approaches Its Topic from Many Interesting Angles, Even at the Slight Risk of Repetition February 11, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight Sundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound Healing February 11, 2021
Featured Specialty Festivals FFT Festival Coverage Hannah Tran Interviews Spotlight Sundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion” February 10, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Interviews Spotlight Sundance Sundance Interview with “Eight for Silver” [now “The Cursed”] Director Sean Ellis February 8, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: As an Ode to H.P. Lovecraft’s Favorite Creature, “Sacrifice” Delivers Solid Suspense and Mystery, Yet Lacks Delivery and Payoff February 8, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Eight for Silver” [now “The Cursed”] Doesn’t Quite Make Cinematic Gold, but Still Offers Some Fine Treasures February 7, 2021
