Adam Vaughn Breaking Film Reviews Spotlight Film Review: “You Should Have Left” Delivers Surprising New Techniques to Thrill, While Leading Us Down an All Too Familiar Road June 18, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Bully. Coward. Victim. The Story of Roy Cohn” Tells the Story of Its Subject, Once Again June 17, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: In Moving “The Day After I’m Gone,” Words Matter June 17, 2020
Featured Specialty Film Reviews Matt Patti Spotlight Film Review: “Scare Package” Offers a Fun Ride for Horror Enthusiasts, but Leaves Others in the Dark June 17, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “7500” Initially Flies but Then Nosedives June 17, 2020
Featured Specialty Film Reviews Matt Patti Spotlight Film Review: “The Luring” Successfully Entices with a Gripping, Mysterious Plot and Tense Psychological Horror Elements June 15, 2020
Film Reviews Matt Patti Specialty Releases Spotlight Film Review: After Its First Act, “Driven” Hits a Dead End June 15, 2020
Featured FFT Festival Coverage Melanie Addington Spotlight Film Festivals in the Age of COVID-19: The Big Pivot June 12, 2020
Film Reviews Patrick Howard Specialty Releases Spotlight Film Review: “Sometimes Always Never” Opts Out of Emotional Engagement for a Quirky Visual Style June 12, 2020
Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “Exit Plan” Features a Great Performance Let Down by a Pseudo-Intellectual Script June 11, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The King of Staten Island” Is a Jester Without Wit June 11, 2020
