Breaking Film Reviews Matt Patti Spotlight Film Review: “Blacklight” Offers an Intriguing Plot, but Bland Characters February 9, 2022
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Cosmic Dawn” Promises More Than It Delivers February 9, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: Single-Setting Thriller “Alone with You” Provides a Haunting Meditation on Cabin Fever February 5, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “The Worst Person in the World” Is a Moving Ode to Self-Actualization February 3, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: Past (and Future?) of Abortion, via Doc and Fiction, in “The Janes” and “Call Jane” February 1, 2022
Festivals FFT Festival Coverage Film Reviews Jeremy Taylor Spotlight Sundance Sundance Review: “TikTok, Boom” Is a Strong Documentary with Insights into Dangers of Chinese Control January 31, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Master” Treads Heavily, but Still Meaningfully January 29, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “Speak No Evil” Is Horror by Way of Haneke January 28, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: Cooper Raiff’s “Cha Cha Real Smooth” Is a Charmer January 27, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Boris Karloff: The Man Behind the Monster” Tells the Famous Actor’s Life in the Bluntest Way Possible January 27, 2022
Christopher Llewellyn Reed Featured Festivals FFT Festival Coverage Slamdance Spotlight Films to Watch at Virtual Slamdance 2022 January 26, 2022