Breaking Christopher Llewellyn Reed Festivals FFT Festival Coverage Maryland Film Festival Series Spotlight Series Review: Though Not Without Script Flaws, “We Own This City” Engages and Horrifies Throughout April 25, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Maryland Film Festival Specialty Releases Spotlight Film Review: “Navalny” Is a Triumph April 24, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Bad Guys” Are Better Than Bad April 20, 2022
Annapolis Film Festival Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight The 2022 Annapolis Film Festival Still Going Strong at 10! April 5, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Apollo 10½: A Space Age Childhood” Is Lovely to Behold, Yet Otherwise Empty March 31, 2022
Annapolis Film Festival Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Spotlight What to See at the 2022 Annapolis Film Festival (It’s 10th Anniversary Time!) March 30, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Enjoyable (Enough) “The Lost City” Knows Its Place March 25, 2022
Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight MoMI First Look Review: “Babi Yar. Context” and “Mr. Landsbergis” Are Archival Masterworks March 24, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: In “Seriously Red,” Dolly Parton Is the Way Forward March 22, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: See What Marvels Kids Can Make in “More Than Robots” March 18, 2022