Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: Mother Earth Strikes Back in “Gaia” March 23, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: “The Spine of Night” Offers a Fantastical Vision to Celebrate March 21, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: Anthology Horror-Thriller “Phobias” Masterfully Explores the Origins of People’s Fears March 18, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Come True” Is a Film with Great Suspense, If Muddy Pacing March 11, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: The Intriguing Third Act of “The Canyonlands” Can’t Save the Otherwise Bland and Hackneyed Plot March 4, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: An Intriguing Premise Can’t Quite Save the Obviousness of “Lucky” March 3, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: The Wacky “Willy’s Wonderland” Squanders Its Absurdist Potential by Taking Itself Too Seriously February 12, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Interviews Spotlight Sundance Sundance Interview with “Eight for Silver” Director Sean Ellis February 8, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: As an Ode to H.P. Lovecraft’s Favorite Creature, “Sacrifice” Delivers Solid Suspense and Mystery, Yet Lacks Delivery and Payoff February 8, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Eight for Silver” Doesn’t Quite Make Cinematic Gold, but Still Offers Some Fine Treasures February 7, 2021