Breaking Film Reviews Patrick Howard Spotlight Film Review: Amateur Filmmaking Drowns Redeeming Qualities of “Tar” October 1, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Death of Me” Falls Short of Coherence Where It Succeeds in Suspense and Mystery October 1, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Scare Me” Is More Parody of Horror Than Decent Ode to It September 30, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: “Shortcut” Is a Fun, Engaging Creature Feature, but Nothing We Haven’t Seen Before September 24, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “No Escape” Is an Electrifying Experience, If Also an Imperfect One September 17, 2020
Featured Specialty Film Reviews Matt Patti Spotlight Film Review: “The Last Laugh” Fails to Execute on a Potentially Interesting Premise September 14, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Babysitter: Killer Queen” Redelivers Comedy, Action and Gore of its Predecessor, but with Less Originality and More Ridiculousness September 9, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: Though Wacky and Uneven, “The Owners” Features Compelling Tension and Noteworthy Performances September 3, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: “The Pale Door” Is a Conventional, but Still Entertaining, Western Horror Flick September 1, 2020
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “The Shed” Comes with a Loose Script and an Even Looser Concept August 26, 2020