Breaking Film Reviews Hannah Tran Spotlight Film Review: “Koko-Di Koko-Da“ Turns the Grieving Process into a Twee and Taxing Terror November 5, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Intriguing Setup of “Come Play” Quickly Falters October 30, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In Vivid “His House,” the Ghosts Are Real October 29, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “May the Devil Take You Too” Is a Horror Sequel That Matches Its Predecessor in Terror and Tops It in Senselessness October 28, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: Scary Yet Formulaic, “32 Malasana Street” Weaves a Suspenseful Yet Unsurprising Horror Tale October 21, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Chop Chop” Is a Rustic, Poorly Executed Presentation of an Otherwise Interesting Concept October 19, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Mortuary Collection” Reestablishes the Horror Anthology Archetype with a Fun and Creepy Tone October 14, 2020
Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “The World Is Full of Secrets” Takes a Shot at a Unique Form of Storytelling but Completely Fails October 8, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Cleansing Hour” Is a Supernatural Thrill Ride that Grabs the Audience and Refuses to Let Go October 8, 2020
Breaking Film Reviews Patrick Howard Spotlight Film Review: Amateur Filmmaking Drowns Redeeming Qualities of “Tar” October 1, 2020
