Film ReviewsMatt PattiSpecialty ReleasesSpotlight Film Review: A Strong Central Character and Frightening Atmosphere Help “Seance” Atone for Its ConventionalitySeptember 28, 2021
BreakingFilm ReviewsMatt PattiSpecialty ReleasesSpotlight Film Review: “Son” Shines with Excellent Mother-Son Chemistry and a Twisty, Absorbing PlotJuly 7, 2021
Adam VaughnFeatured SpecialtyFilm ReviewsSpotlight Film Review: “PG: Psycho Goreman” Owns Its Ridiculousness and the Result Is ExtraordinaryMay 20, 2021
BreakingFilm ReviewsMatt PattiSpotlight Film Review: Though Wacky and Uneven, “The Owners” Features Compelling Tension and Noteworthy PerformancesSeptember 3, 2020
BreakingFilm ReviewsMatt PattiSpotlight Film Review: “The Pale Door” Is a Conventional, but Still Entertaining, Western Horror FlickSeptember 1, 2020
Adam VaughnFilm ReviewsSpecialty ReleasesSpotlight Film Review: “The Shed” Comes with a Loose Script and an Even Looser ConceptAugust 26, 2020
Featured SpecialtyHannah TranInterviewsSpotlight Interview with “Spree” director Eugene KotlyarenkoAugust 14, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Spree” Is a Millennial’s Sandbox, with High Concept and Commentary on Our New Digital AgeAugust 12, 2020
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: “You Don’t Nomi” Revisits “Showgirls” in All Its Lurid GloryJune 8, 2020
