Breaking Film Reviews Robin C. Farrell Spotlight Film Review: “Grace and Grit” Aims for Transcendence but Critically Misfires June 3, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Tove” Paints a Vibrant Portrait of Its Subject, Even If Some Details Are Obscured June 2, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Monday” Is a Near-Charmless Glimpse into a Charming Summer April 15, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “All My Life” Is a Lifeless Look Into a Real-Life Love Story December 4, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “S#!%house” Offers Sweet College Dramedy October 15, 2020
Breaking Christopher Llewellyn Reed Series Spotlight Series Review: “Emily in Paris” Offers a Frothy, if Lightweight, Confection for All to Savor October 1, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: In “Matthias & Maxime,” the Journey Is the Destination August 26, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of Tune July 16, 2020
Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: “Babyteeth” Brings Fresh, Frenetic Energy to a Tired Genre June 18, 2020
Breaking Film Reviews Patrick Howard Film Review: LaKeith Stanfield and Issa Rae Develop the Overly Subdued “The Photograph” February 14, 2020