Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Middleburg Film Festival Spotlight Middleburg Review: I Choose to Stay for Marvelous “Decision to Leave” October 22, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: Even with Great Performances, This “Old Man” Is Confused October 13, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “See How They Run” Tries Too Hard to Mimic the Real Deal September 15, 2022
Featured Specialty Film Reviews Matt Patti Specialty Releases Spotlight Film Review: Strong Third Act Redeems Otherwise Generic Horror-Thriller “Where’s Rose” August 29, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Black Phone” Comes A-Creepy Calling June 23, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Escape the Field” Boasts No Original Concept and Only Minor Thrills May 5, 2022
Featured Specialty Film Reviews Matt Patti Spotlight Film Review: Psychological Thriller “The Aviary” Explores Post-Traumatic Effects of a Cult April 28, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: In “9 Bullets,” Idiotic Supporting Characters Damage a Strong Protagonist April 21, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: “The Prank” Is Quite the Cool Stunt March 15, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “Heckle” Squanders Its Promising Potential March 7, 2022
