Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Pale Blue Eye” Too Often Sleepwalks Through Its Mystery December 22, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: This “Babylon” Overflows with Dramatic Decadence December 21, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In “Bardo: False Chronicle of a Handful of Truths,” the Director Swallows His Own Tale* December 16, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Many Themes of “Empire of Light” Lurk in Dramatic Shadow December 15, 2022
Adam Vaughn Breaking Series Spotlight Series Review: “Sonic Prime” Is a Fun, Safe, Family-Friendly Good Time December 15, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Avatar: The Way of Water” Drowns in Incoherence December 14, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Though “Retrograde” Often Stuns, It Needs Retrofitting December 8, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: “Christmas Bloody Christmas” Brings All the Blood, but not Enough Christmas December 8, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Scrooge: A Christmas Carol” May Not Impress, but It Mostly Diverts December 1, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: “Violent Night” Is a Holly, Jolly, Bloody Good Time December 1, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Fabelmans” Is Spielberg’s Love Poem to the Art of Cinema November 22, 2022
