Breaking Featured Specialty Film Reviews Matt Patti Spotlight Film Review: “The Night House” Hits Home with a Chilling Mystery and Standout Performance from Rebecca Hall August 19, 2021
Featured Specialty Film Reviews Heidi Shepler Specialty Releases Spotlight Film Review: “Rare Beasts” Rejects the Mortifying Ordeal of Being Known August 19, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Ma Belle, My Beauty” Offers Dramedy with an Alluring French Twist August 18, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: In “Bring Your Own Brigade,” the Inferno Is Upon Us August 17, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: Keep Calm and “Cryptozoo” August 16, 2021
Featured Specialty Film Reviews Robin C. Farrell Specialty Releases Spotlight Film Review: “Charming the Hearts of Men” Almost Succeeds August 12, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: In “Homeroom,” Bright Young Oakland Students Prepare for the Future August 11, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: Despite Censorship and Propaganda, Afghan Filmmakers Shine in “What We Left Unfinished” August 2, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: The Siren Song of “Lorelei” Mostly Enchants July 29, 2021
Featured Specialty Film Reviews Matt Patti Specialty Releases Spotlight Film Review: In Horror Anthology “Lilith,” Looks are Deceiving July 29, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: In Often Gripping “The Evening Hour,” Less Is More, Until It Isn’t July 29, 2021
