Sundance | Film Festival Today

10 Films to Watch at Sundance 2023

January 18, 2023

Sundance Review: “The Worst Person in the World” Is a Moving Ode to Self-Actualization

February 3, 2022

Sundance Review: Past (and Future?) of Abortion, via Doc and Fiction, in “The Janes” and “Call Jane”

February 1, 2022

Sundance Review: “TikTok, Boom” Is a Strong Documentary with Insights into Dangers of Chinese Control

January 31, 2022

Sundance Review: “Master” Treads Heavily, but Still Meaningfully

January 29, 2022

Sundance Review: “Speak No Evil” Is Horror by Way of Haneke

January 28, 2022

Sundance Review: Cooper Raiff’s “Cha Cha Real Smooth” Is a Charmer

January 27, 2022

Sundance Review: In “Watcher,” Maika Monroe Returns as Indie Scream Queen

January 26, 2022

Sundance Review: In “Mars One,” Big Dreams Ground Us Here on Earth

January 25, 2022

Sundance Review: “FRESH” Has a Stellar Cast, but its Social Commentary Only Cuts Skin-Deep

January 24, 2022

Sundance Review: In “Emily the Criminal,” Aubrey Plaza Rocks the System

January 24, 2022

SXSW Interview with “Fancy Dance” Director Erica Tremblay
By Christopher Llewellyn Reed
March 17, 2023
Director Erica Tremblay’s Fancy Dance premiered at Sundance 2023 (where I reviewed it), and tells the story of Jax (Lily Gladstone) and her niece, Roki (Isabel Deroy-Olson) as they simultaneously look for Roki’s missing mother, Tawi, while evading officials from Child Protective Services on their way to an annual powwow. Tremblay hails from the Seneca-Cayuga nation in which the story takes place, and the film is filled with authentic details ... >>
SXSW Interview with “Queendom” Director Agniia Galdanova and Producer Igor Myakotin
By Christopher Llewellyn Reed
March 16, 2023
Director Agniia Galdanova’s new documentary, Queendom, just premiered at SXSW 2023 (where I reviewed it). It follows transgender Russian performance artist and activist Gena (known as Gena Marvin on social media) from Magadan in Russia’s Far East, where she grew up, to Moscow and beyond as she struggles against her country’s prejudices and growing crackdown on dissent. I sat down with Galdanova and her producer, Igor Myakotin, at the festival. ... >>
XR Beats from SXSW 2023
By Christopher Llewellyn Reed
March 15, 2023
VR, AR, MR … XR … so many acronyms to describe a form of enhanced reality that is very much still in flux in this now-third decade of the 21st century. Many film and technology festivals have, for at least about 10 years now, been showcasing the state of the art as its stands in the very moment. SXSW has now rebranded the section devoted to such work the “XR Experience” exhibition. Here at the 2023 festival, I had an opportunity to walk ... >>
SXSW Review: “If You Were the Last” Goes from Lost to Saved in a Lovely Final Act
By Christopher Llewellyn Reed
March 13, 2023
If You Were the Last (Kristian Mercado, 2023) 3 out of 4 stars. If You Were the Last, from director Kristian Mercado and writer Angela Bourassa—both making their feature-film debuts—is the rare kind of film that turns tired clichés into something surprisingly fresh, reinventing itself in the final act to become something quite lovely. Depending on one’s tolerance for rom-com tropes foregrounded in what is essentially a two-person chamber ... >>
SXSW Review: “Flamin’ Hot” Delightfully Romps Through a Maybe True Story
By Christopher Llewellyn Reed
March 12, 2023
Flamin’ Hot (Eva Longoria, 2023) 3 out of 4 stars. Whether or not the story of how Richard Montañez created the Flamin’ Hot® line of Frito-Lay’s Cheetos® contains much, little, or no truth (according to the company, the treat was developed by an executive named Lynne Greenfield), the new film that bears the name of the popular snack is a delicious cinematic romp from start to finish. The feature directorial debut of actress Eva Longoria ... >>