BreakingFilm ReviewsPatrick HowardSpotlight Film Review: Impressive Action Mayhem Is on Display in “The Outpost” and Not Much ElseJuly 3, 2020
Film ReviewsPatrick HowardSpecialty ReleasesSpotlight Film Review: “Sometimes Always Never” Opts Out of Emotional Engagement for a Quirky Visual StyleJune 12, 2020
Film ReviewsPatrick HowardSpecialty ReleasesSpotlight Film Review: The World of a High Culinary Internship is Perfectly Digestible in “Stage: The Culinary Internship”May 28, 2020
BreakingFilm ReviewsPatrick HowardSpotlight Film Review: Tom Hardy’s Grizzled Mob Kingpin Shines in the Unremarkable “Capone”May 12, 2020
BreakingFilm ReviewsPatrick HowardSpotlight Film Review: In “Jerry Seinfeld: 23 Hours to Kill,” Jerry Seinfeld Is Behind the Times with his Observational ShtickMay 6, 2020
BreakingFilm ReviewsPatrick HowardSpotlight Film Review: “The Wretched” Boasts Fantastic Visuals and Effects Amid Lacking StoryMay 1, 2020
Film ReviewsPatrick HowardSpecialty ReleasesSpotlight Film Review: “Same Boat” Sinks Like a Stone with Inconsistent PerformancesApril 7, 2020
BreakingFilm ReviewsPatrick HowardSpotlight Film Review: “Resistance” Struggles to Lay a Fine Point on Marcel Marceau’s LifeMarch 26, 2020
BreakingFilm ReviewsPatrick HowardSpotlight Film Review: “The Hunt” Is Bloody, Goofy Fun Admist Overdone ControversyMarch 12, 2020
BreakingFilm ReviewsPatrick HowardSpotlight Film Review: “The Way Back” Rushes to the End of Court but Only by the Strengths of Ben AffleckMarch 5, 2020
BreakingFilm ReviewsPatrick Howard Film Review: LaKeith Stanfield and Issa Rae Develop the Overly Subdued “The Photograph”February 14, 2020
