Film Reviews Hannah Tran Specialty Releases Film Review: “The Wave” Is an Overambitious Step into Nonsense January 16, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Film Review: “The Song of Names” Too Often Sings Flat January 3, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Film Review: “Clemency” Falls Short of Absolution December 27, 2019
Film Reviews Hannah Tran Specialty Releases Film Review: “Mickey and the Bear” and the Power of Letting Go December 18, 2019
Film Reviews Matt Patti Specialty Releases Film Review: Naomi Watts’ Performance Can’t Save “The Wolf Hour” December 6, 2019
Film Reviews Hannah Tran Specialty Releases Film Review: A Hero Comes Alive in AIDS Documentary “Ximei” November 28, 2019
Film Reviews Hannah Tran Specialty Releases Film Review: ”Synonyms“ Boasts Vision but Lacks Connection November 21, 2019
Christopher Llewellyn Reed Film Reviews Specialty Releases Film Review: “Crown Vic” Is a Pedestrian Vehicle with an Occasional Flair November 14, 2019
Christopher Llewellyn Reed Film Reviews Specialty Releases Film Review: Inspiring, if Harrowing, “For Sama” Is for All of Us November 8, 2019
Film Reviews Hannah Tran Specialty Releases Film Review: “End of the Century” Offers a Moving Portrait of Memory November 7, 2019
Film Reviews Matt Patti Specialty Releases Film Review: All the Crops in “Gothic Harvest” Are Dead November 5, 2019