Featured Interviews Melanie Addington Spotlight Interview with “Expecting Amy” Director Alexander Hammer July 21, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Lake of Death” Displays a Visually Promising Premise, Only to Mix and Confuse with Repetitive Horror Conventions July 20, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of Tune July 16, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Let the Sun Set on “The Sunlit Night,” Please! July 16, 2020
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Useless Humans” Falls Short of Being a Potentially Original Sci-fi Comedy July 14, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Father Soldier Son” Overwhelms with the Power of Its Story July 13, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: “Relic” Is a Disturbing, Depressing Metaphorical Horror Film That Tackles Dementia and Hits Us Where It Hurts July 9, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: The Short Documentary “The Claudia Kishi Club” Is the Perfect Companion Piece to “The Baby-Sitters Club” July 9, 2020
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “The Old Guard” Mostly Delivers on Its Promising Premise July 9, 2020
Adam Vaughn Featured Interviews Spotlight Interview with “The Beach House” Director Jeffrey A. Brown July 9, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Beach House” Makes for an Excellent Directorial Debut, with a Unique, Chilling Take on the Horror Genre July 8, 2020
