Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: “Yes, God, Yes” Is an Acutely Personal Yet Exceedingly Relatable Tale of Religious Guilt July 23, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Rental” Steals Your Deposit July 23, 2020
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Radioactive” Fails to Engender Empathy for Its Central Figure or Excitement for Her Life-Altering Work July 23, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Most Wanted” Offers an Entertaining, if Flawed, Crazy Real-Life Tale July 23, 2020
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “A Deadly Legend” May Pass As a Funny Student Film, but Is Littered with Flaws and Low-Quality Genre Tropes July 23, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “Impetigore” Is Not as Much of a Horrific Experience As a Twisted Family Tale July 22, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “The Pool” Grips the Audience and Engages Them in High Stakes and Effective Thrills July 21, 2020
Featured Interviews Melanie Addington Spotlight Interview with “Expecting Amy” Director Alexander Hammer July 21, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Lake of Death” Displays a Visually Promising Premise, Only to Mix and Confuse with Repetitive Horror Conventions July 20, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of Tune July 16, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Let the Sun Set on “The Sunlit Night,” Please! July 16, 2020
