Breaking Christopher Llewellyn Reed Series Spotlight Series Review: In Powerful “Jeffrey Epstein: Filthy Rich,” Victims Find Their Voice May 26, 2020
Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “Girls Just Wanna Have Blood” Is Tactless, Terrible and Technically Flawed May 25, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Crystal Swan” Presents Evocative View of Post-Soviet Belarus May 22, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: Great Performances and Moral Dilemmas Save the Often Predictable “Inheritance” May 21, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Take Me Somewhere Nice” Travels to Evocative Cinematic Shores May 21, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Searching Eva” Finds Spectacular Cinematic Truths May 19, 2020
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Diverting “Time Warp: The Greatest Cult Films of All-Time – Vol. 2 Horror and Sci-Fi” Continues Along Same Path, for Better and for Worse May 19, 2020
Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “Ovid and the Art of Love” Has Little to Add to Either Art or Love May 18, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “The Jesus Rolls” Fails to Justify Its Existence May 15, 2020
Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “The Traitor” Struggles to Sustain a Balancing Act Between the Mafia and the State May 12, 2020
Breaking Film Reviews Patrick Howard Spotlight Film Review: Tom Hardy’s Grizzled Mob Kingpin Shines in the Unremarkable “Capone” May 12, 2020
