Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: In Often Gripping “The Evening Hour,” Less Is More, Until It Isn’t July 29, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Boy Behind the Door” Initially Strikes Gold, but Loses Momentum by the End July 28, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: M. Night Shyamalan’s “Old” Takes a Clever Concept and Creates a Bit of a Mess July 22, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “The Last Letter from Your Lover” Would Be Better Left Unsent July 22, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: In an Otherwise Generic Story, the Protagonist of “Blood Red Sky” Shines July 22, 2021
Adam Vaughn Featured Specialty Interviews Spotlight Stories Interview with “Great White” Director Martin Wilson July 22, 2021
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “Last Call: The Shutdown of NYC Bars” Succeeds with an Intimate, Brief Look at Its Conflict July 12, 2021
Featured Specialty Film Reviews Robin C. Farrell Specialty Releases Spotlight Film Review: “Scales” Conceives a Fresh and Sinister Take on Mermaids July 9, 2021
AFI DOCS Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight AFI DOCS Review: “Pray Away” Examines the Dangerous Consequences of Conversion Therapy July 7, 2021
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “Son” Shines with Excellent Mother-Son Chemistry and a Twisty, Absorbing Plot July 7, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Engaging “Black Widow” Offers Four Stars at the Cost of One July 6, 2021