Breaking Christopher Llewellyn Reed Festivals FFT Festival Coverage Maryland Film Festival Series Spotlight Series Review: Though Not Without Script Flaws, “We Own This City” Engages and Horrifies Throughout April 25, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Maryland Film Festival Specialty Releases Spotlight Film Review: “Navalny” Is a Triumph April 24, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: In “9 Bullets,” Idiotic Supporting Characters Damage a Strong Protagonist April 21, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Bad Guys” Are Better Than Bad April 20, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: Viking Epic “The Northman” Delivers a Gripping, If Flawed, Tale of Revenge April 20, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Dual” Overuses Its Sarcastic Tone to the Point of Annoyance April 14, 2022
Featured Specialty Film Reviews Heidi Shepler Spotlight Film Review: “Women of the White Buffalo” Balances Grief and Hope April 11, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: An Abysmal Central Performance and a Messy Conclusion Sink Otherwise Compelling “Reed’s Point” April 11, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Sonic the Hedgehog 2” Is Consistently Entertaining April 7, 2022
Breaking Film Reviews Heidi Shepler Spotlight Film Review: The Blades of “All the Old Knives” Are Sharper Than You Think April 7, 2022
Annapolis Film Festival Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight The 2022 Annapolis Film Festival Still Going Strong at 10! April 5, 2022
