Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Beyond the Infinite Two Minutes” Offers Rudimentary but Fun Enjoyment January 25, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “FRESH” Has a Stellar Cast, but its Social Commentary Only Cuts Skin-Deep January 24, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: In “Emily the Criminal,” Aubrey Plaza Rocks the System January 24, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “Emergency” Is a High-Stress Comedy That Sufficiently Juggles Humor and Horror January 23, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: In “Nothing Compares,” Sinéad O’Connor Is Agitator, Activist and Seed January 22, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “When You Finish Saving the World” Is a Sharp and Sweet Debut for Jesse Eisenberg January 21, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: Despite Limitations, “The Tiger Rising” Achieves a Decent Outcome January 21, 2022
Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Films to Watch (Once Again Virtually) at Sundance 2022 January 19, 2022
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: “Wheel of Fortune and Fantasy” Spins an Uneven Triptych, but Still Intrigues January 17, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: “Scream” Works As a Suspenseful Slasher, But Not Quite As Part of the Franchise January 13, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In “Sex Appeal,” The Positive Can’t Quite Defeat the Negative January 13, 2022
