Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Power of “The Mauritanian” Is Undercut by Narrative Chaos February 12, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Happy Cleaners” Thoughtfully Explores the Korean-American Experience February 11, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Bullied” Approaches Its Topic from Many Interesting Angles, Even at the Slight Risk of Repetition February 11, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight Sundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound Healing February 11, 2021
Featured Specialty Festivals FFT Festival Coverage Hannah Tran Interviews Spotlight Sundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion” February 10, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Interviews Spotlight Sundance Sundance Interview with “Eight for Silver” Director Sean Ellis February 8, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: As an Ode to H.P. Lovecraft’s Favorite Creature, “Sacrifice” Delivers Solid Suspense and Mystery, Yet Lacks Delivery and Payoff February 8, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Eight for Silver” Doesn’t Quite Make Cinematic Gold, but Still Offers Some Fine Treasures February 7, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Our Take on Sundance 2021 February 7, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Little Fish” Offers Weak Dramatic Sustenance February 5, 2021