Breaking Christopher Llewellyn Reed Film Reviews Film Review: “The Disaster Artist” Reaps Magic from Chaos December 7, 2017
Christopher Llewellyn Reed Film Reviews Specialty Releases In “The Divine Order,” Women Claim Their Rightful Place November 30, 2017
Christopher Llewellyn Reed Featured Festivals FFT Festival Coverage 2018 Slamdance Film Festival Announces Feature Competition Lineup November 28, 2017
Christopher Llewellyn Reed FFT Festival Coverage Film Reviews Specialty Releases Film Review: “Three Billboards Outside Ebbing, Missouri” Is Outrageous and Funny, but Then Just Outrageous November 22, 2017
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Coco” Mixes Disney and Pixar in a Mostly Delightful Mix November 22, 2017
Christopher Llewellyn Reed Film Reviews Specialty Releases Film Review: Tedious “Last Flag Flying” Falls Flat November 17, 2017
Breaking Christopher Llewellyn Reed Film Reviews Film Review: Despite Mostly Solid Performances, “Justice League” Disappoints November 15, 2017
Christopher Llewellyn Reed Film Reviews Specialty Releases Film Review: In Insightful “The Square,” the Emperor Has Beautiful, if Ephemeral, Clothes November 9, 2017
Breaking Christopher Llewellyn Reed Film Reviews Film Review: Hercule Poirot, Mustachioed Action Star, Ruins Mediocre “Murder on the Orient Express” November 9, 2017